Digital Media Producer
Digital Media Producer. Writer. Pop Culture-oholic. Music aficionado. Digital Media Producer. Writer. Pop Culture-oholic. Music aficionado. Digital Media Producer. Writer. Pop Culture-oholic. Music aficionado. Digital Media Producer. Writer. Pop Culture-oholic. Music aficionado. Digital Media Producer. Writer. Pop Culture-oholic. Music aficionado. Digital Media Producer. Writer. Pop Culture-oholic. Music aficionado. Digital Media Producer. Writer. Pop Culture-oholic. Music aficionado. Digital Media Producer. Writer. Pop Culture-oholic. Music aficionado. Digital Media Producer. Writer. Pop Culture-oholic. Music aficionado. Digital Media Producer. Writer. Pop Culture-oholic. Music aficionado. Digital Media Producer. Writer. Pop Culture-oholic. Music aficionado. Digital Media Producer. Writer. Pop Culture-oholic. Music aficionado. Digital Media Producer. Writer. Pop Culture-oholic. Music aficionado. Digital Media Producer. Writer. Pop Culture-oholic. Music aficionado. Digital Media Producer. Writer. Pop Culture-oholic. Music aficionado.
Ian Thompson
Ian ThompsonAlbum artwork I’ve created. For Zephyr, when starting, we primarily used Creative Common images before moving into original photography. The photo for Zephyr’s second album Houses Beyond a Lighthouse was taken by myself while the Hearing Colors, Seeing Sounds photo was taken by Cole Bower.
